2006-08-07, 12:04 | Link #22 | |
Logician and Romantic
Join Date: Nov 2004
Location: Within my mind
Age: 43
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The whole point of having someone in charge, is so that person can be responsible for the project's eventual success or failure. Fukuda had been a lucrative director for Sunrise in the past, so they can't sack him without further screwups. Make no mistake, had GSD being forced to cancel half-way through broadcast, he will most certainly be sacked along with a lot of other people. As it is, Fukuda had dodged a bullet. GSD was nowhere as successful as it was suppose to be (what with good funding and a primetime time lot), but it just barely passed as an okay show in the end.
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2006-08-12, 06:28 | Link #23 | |
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Join Date: Aug 2006
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i aint talking about the one in the space shuttle i am takling aboutt he one that loves kyra i think u know she is redheaded and she doesnt have a pet robot |
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2006-08-12, 09:27 | Link #24 | |
Logician and Romantic
Join Date: Nov 2004
Location: Within my mind
Age: 43
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2006-08-12, 14:46 | Link #25 |
JONLIの憂'
Join Date: Apr 2004
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Well since a SEED movie is on its way. What do you think chances are for Ms.Fukuda to get the role of script writing again?
Since it seems Sunrise/Bandai and the staff are all aware of her screw ups. It seems like it would be the most logical move for them to make: replace the script writer. or maybe Fukuda kissed some ass and got her the job again? |
2006-08-12, 15:12 | Link #26 |
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Join Date: Dec 2005
Location: ニュー・オーリンズ、LA
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^Well personally I'd say the fact that they are making movie means they are gonna squeeze the last bit of fruit-juice out of this franchise before they move on...No G-series with the same core cast has ever had 2 series, a movie, and another series...With the rumors of a new G-series in 2007 by a new director...I'd say this is the end...If the movie is phenomenal though all bets are off...Morosawa will probably still get a chance to write it since Fukuda will stand in as her own personal Phase Shift armour...I just wish we had more in-depth information on everything, but maybe Bandai threatened to make life a living-hell for anyone else who leaked info on the series troubles...
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2006-08-12, 22:47 | Link #27 |
Senior Member
Join Date: Dec 2005
Age: 41
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I would also put my money on Morosawa being the script writer for the movie... for one as Nightengale has said, her scripts aren't horrible especially when it's short, and a movie is at max 2hrs, so I think she can probably deliver something decent.
Second, they have announce that Fukuda would direct the series, if they were to change the script writer, they would have announce it too, consider how much hate a lot of fans have for Morosawa (just count the Asucaga fans to say the minimum)... the fact that they didn't announce it, probably means they don't want to upset the fanbase until it has gather more hype. I would also say that it's likely that CE would end in this movie... similar to WING... but like wd said, if the movie make a comeback then, all bets are off. And regarding the target audience for GS, I thought Fukuda mentioned in an interview that the female audiences was on his mind when he created GS.... and he was aiming at somewhere between MSG and Wing. Bandai/Sunrise battleplan as far as I've read from interview was that, SD -> grader schooler, GS/GSD -> young teens 12-16 (male and female), UC -> twenties to thirties something (the ones who has the blings and can afford the Perfect Grades, the young dads who bring their boy to the Bandai Museum). |
2006-08-13, 01:20 | Link #28 | |||
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Join Date: Dec 2005
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Gundam , even since UC, has the 2 distinct segment of viewer that looks for different things . The 6- 10ish that watch mostly for the actions and the 13ish - 18ish range that watch them for their dramatic qualities. In fact, it is really SEED being the first that is raising the "entry" age with more focus on romanace and interpersonal drama and last but not least the subjects of sexuality, rather than more actions (which attract kids) and political drama (which attract older teens if they like the topic) And I think people shoudl really stop this Fukuda this and that. Esepcially when a lot of ppl that complained abut SEED Destiny likes SEED I didnt' like CE at all but I don't think he is a bad director. He is just trying to make a series that is fitting to his bosses' need. I thought Cyberforumla is not bad for instance. That is one series where the style of developemnt found in SEED is more appropriate. The relationship between Asuka and Hayato in later sequels are IMO more interesting than most romance in SEED or SEED Destiny. |
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2006-08-13, 02:47 | Link #29 | |
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2006-08-13, 03:08 | Link #30 | |
Logician and Romantic
Join Date: Nov 2004
Location: Within my mind
Age: 43
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Quote:
Fukuda admits that GSD is the worst piece of work he has ever created. (Something along the lines of... "I always feel that my anime creations are less than what they could have been, and always have a sense of regret. But GSD was the worst of them all".) The responsibility lies with Fukuda, because he is the director. The director gets all the glory, but also all the blame.
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2006-08-13, 08:27 | Link #31 | |
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Location: Delft, the Netherlands
Age: 41
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2006-08-13, 21:38 | Link #32 | |||
Senior Member
Join Date: Dec 2005
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Good dialogue is much harder to come by; Odelo and Tomache's rather pathetic attempt to get Uso to give them tips on how to hit on girls is a good example. Quote:
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2006-08-14, 17:17 | Link #33 | |
Knight of Cheome
Join Date: Aug 2006
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2006-08-14, 22:28 | Link #36 |
Retweet Member
Join Date: Dec 2005
Location: ニュー・オーリンズ、LA
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^Hehe...only the morbid deaths of various characters, including children...I agree, while I love both these series..I wouldn't allow my kid to watch them until atleast 11 or 12, but if I watched it with them that would be different as I can explain to them that Kotz got transported to same place Vegeta sends guys..."To the next dimension..." ...I'm almost baffled someone wouldn't know what makes a series like Zeta or Victory objectionable to US kids...Kids are extremely impressionable to $hit like death (Obviously I like Japanese culture and the fact that they can get away with this, but US culture just isn't the same)...I mean when a kid wakes up in the middle of the night with pi$$ in their pants, talking about an impaled Scirocco is in their closet, you got a problem...
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2006-08-15, 02:26 | Link #37 | |
Logician and Romantic
Join Date: Nov 2004
Location: Within my mind
Age: 43
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Children knows far more than what the US adults give them credits for.
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2006-08-15, 02:39 | Link #38 |
Retweet Member
Join Date: Dec 2005
Location: ニュー・オーリンズ、LA
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^I'd never deny that...I'm totally against all that christian right overkill when it comes to violence on TV and such, but even with my super-liberal veiw there are some things I still wouldn't show a child...I'm grown and there is stuff in Zeta and Victory that are tuff for me to watch, so I know some stuff might freak a kid out...Now babies they're fine...you can show them anything as long as it has color and moves (Thinks back to when i watched that horrible Patlabor movie with my nephew and he was all in to it while I couldn't watch some of the more gore-ish stuff)...Death means nothing to babies, but 3-11 you gotta be a little careful there intake of morbid $hit...I turned out fine eventhough my mom made me watch "Faces of Death" with her as a 8 year old, she even use to put stockings on her face and scare the hell outta me and my little sis for fun, but I'm not sure if i'd do that to my kids...there's got to be some limit...(although if i had a son and he didn't like sports i would scare the hell outta him and screw him up for life^^)....
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2006-08-15, 02:54 | Link #40 |
~Night of Gales~
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Join Date: Dec 2005
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Frankly, I don't think Kamen Rider Ryuuki and Kamen Rider Faiz/555 are kiddie material, despite being geared as such and created for such target audience.
It just shows how certain cultural acceptance had evolved since time immemorial, and frankly, Zeta's not all that thought-evoking in it's potrayal of war and death in the eyes of young children.This is of course, due to the fact that deaths are often made to look like something casual in war as opposed to something emotionally powerful and heart-wrenching. |
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